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22 Degrees-Stationery
No catch-222010A simple question launches this identity which puts an end to the game of hot-and-cold. -
A&A-Folder
Stark contrast2010A special Sirio Black/White paper is chosen for the corporate folder, with a different finish on each side. -
A&A-Stationery
Fit for a lawyer2010Serious, coherent, sharp… exactly what you’d expect from your legal representation. -
A&A-Stationery details
A drop of Arabic2010Despite the all-English identity, the name has to feature at least once in the native language, and look as delicate while it’s at it. -
Awan-Bag and stationery
Toned down2009A more somber look is adopted for general applications. -
Boghossian Genève-Stationery and Brochure
Precious minimalism2006 -
Chekerdjian Estates-Stationery
Calculated collages1995The identity scheme marries a cut-and-paste aesthetic with an attention to consistency. -
Chekerdjian Estates-Stationery details
Studied crops1995The revealed sections of the Beirut map play a different role on each application: spelling out the word “ville” on the letterheads and business cards, and using the image of “Beyrouth – Liban” as a continuation of the return address on the envelope, which also curiously reproduces a part of the map key. -
Crystal Films-Stationery
Words or letters1999The application of the Crystal Films mark shows how the CF circular element can be self-sufficient. -
Cyberia-Branded items 03
Company and consumer1998 – 2010The product and corporate schemes are non-conflictingly differentiated. -
Dagher Hanna & Partners-Stationary 02
Falling into place2011Between the corner device initialism and the perfectly matched grids and typography, the visual elements of the DHP identity are all about sensible organization. -
Fidus-Stationery
A rosy outlook2006 – 2009For the corporate image, the cold colors of finance are discarded, and a scheme more fitting for the optimistic messages takes its place. -
Gatserelia Design-Stationery 01
A few shades of grey2006Whites, warm greys and grid line variations constitute the elements of Gatserelia’s understated identity. -
House of Today-Applications
Neat and polished2012The House of Today look is easy on color and big on detail. -
Insula-Branded items
A little more intimate2011With postcards and a tote bag, the marketing items for this building go beyond the cold and calculated sales brochure. -
MTG-Johnnny Farah-Paris
Red for Paris2006-2007Between the Paris boutique and the Beirut one, a simple shift in the dominant color delivers the differentiation. -
MTG-Johnnny Farah-Bagandcard
Simply applied2004 -
MTG-KCS-Printed items
Cards, stars and ribbons2010 -
La Galerie Semaan-Business Card
Split1995A set of numbered business cards, designed as a booklet of ticket stubs, serves as a constant invitation to the gallery. -
La Galerie Semaan-Stationery
Some ink1995The letterpressed stationery composed for La Galerie Semaan abides by the idea of containment that the logo so strongly demonstrates throughout its applications. -
Lumen Hospitality Consultants-Coasters and stationery
Work and play2013As a little reference to the hospitality industry, a coaster set was designed as a giveaway, alleviating some of the seriousness of the corporate image. These hardworking guys do have a drink every once in a while. They are in the hospitality industry after all. -
Mitsulift-Branded items 01 new id
Blue blood2011The new Mitsulift identity maintains a poise and composure worthy of the company legacy. -
Mitsulift-Branded items previous id
Picto-centered1999 - 2009Patterned, animated, or simply arranged on a line, the Mitsulift pictograms are pretty much what the initial identity is all about. -
Quasar Tower-Details
Steel-cold2014The Quasar Tower color scheme is all about industrial tones. -
Quasar Tower-Full Set
The whole lot2014Quasar Tower’s marketing set comes complete with a sales brochure and a digital presentation of the project. -
Santiago-Business cards
Let’s go seasonal2010To bring the fashion into the forefront, the business cards are designed to feature selections from the current collection, which would keep changing from one season to the next. -
Saramed-Pattern
Focal point2014The vortex pattern is precise and absorbing, drawing the attention to the central and distinguished letter in the logotype. -
MTG-Sursock museum-stationery details
Rose without the prick10-2014 – 04-2015Fixed on the margin line, the Sursock floral emblem can appear on its own as an identity token, and is the basic module for the pattern construction. -
TriSpan-Stationery 01
Sleek, smart, and straightforward2015 -
We grill-Stationery
Text-skewering stationery2006As seen throughout We grill’s identity, the skewered logo is also the main element of the stationery. -
Yabani-Branded items
Pure and simple2014A changing paper scheme delivers just the right amount of nuances. -
Yabani-Business card and bill holder
Form and language2014A set of Japanese-inspired delicate patterns, along with a Japanese "thank you", are some of the elements that punctuate the identity.
