Since 1994, DHP have built a solid portfolio with projects of different scales and complexity, spanning the realms of interior and architectural design through to urban design and master-planning. What unifies the body of work is the firm’s method: a detail-driven proficiency in all stages of design. This focus on “proper detailing”, as the architects call it, was the thread from which the orderly arranged identity design scheme sprouted.
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Dagher Hanna & Partners-Logo
The DHP signature uses a variation on a typeface designed by Bauhaus-trained Swiss designer Theo Ballmer in 1928. The letters are set in a way where a perfectly arranged initialism can be extracted.
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Dagher Hanna & Partners-Stationary 01
The clarity and simplicity of the DHP identity perfectly mirrors the architects’ design philosophy.
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Dagher Hanna & Partners-Stationary 02
Between the corner device initialism and the perfectly matched grids and typography, the visual elements of the DHP identity are all about sensible organization.
