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22 Degrees-Stationery
See More Of 22 DegreesSee More Of 22 DegreesNo catch-222010A simple question launches this identity which puts an end to the game of hot-and-cold. -
A&A-Stationery
See More Of Alem & AssociatesSee More Of Alem & AssociatesFit for a lawyer2010Serious, coherent, sharp… exactly what you’d expect from your legal representation. -
A&A-Stationery details
See More Of Alem & AssociatesSee More Of Alem & AssociatesA drop of Arabic2010Despite the all-English identity, the name has to feature at least once in the native language, and look as delicate while it’s at it. -
Boghossian Genève-Stationery and Brochure
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Chekerdjian Estates-Stationery
See More Of Chekerdjian EstatesSee More Of Chekerdjian EstatesCalculated collages1995The identity scheme marries a cut-and-paste aesthetic with an attention to consistency. -
Chekerdjian Estates-Stationery details
See More Of Chekerdjian EstatesSee More Of Chekerdjian EstatesStudied crops1995The revealed sections of the Beirut map play a different role on each application: spelling out the word “ville” on the letterheads and business cards, and using the image of “Beyrouth – Liban” as a continuation of the return address on the envelope, which also curiously reproduces a part of the map key. -
Crystal Films-Stationery
See More Of Crystal FilmsSee More Of Crystal FilmsWords or letters1999The application of the Crystal Films mark shows how the CF circular element can be self-sufficient. -
Dagher Hanna & Partners-Stationary 01
See More Of Dagher, Hanna & PartnersSee More Of Dagher, Hanna & PartnersLess is more2011The clarity and simplicity of the DHP identity perfectly mirrors the architects’ design philosophy. -
Dagher Hanna & Partners-Stationary 02
See More Of Dagher, Hanna & PartnersSee More Of Dagher, Hanna & PartnersFalling into place2011Between the corner device initialism and the perfectly matched grids and typography, the visual elements of the DHP identity are all about sensible organization. -
Gatserelia Design-Stationery 01
See More Of Gatserelia DesignSee More Of Gatserelia DesignA few shades of grey2006Whites, warm greys and grid line variations constitute the elements of Gatserelia’s understated identity. -
Gatserelia Design-Stationery 02
See More Of Gatserelia DesignSee More Of Gatserelia DesignMarking the page2006Used here on the letterhead following page, the same-weight initials are isolated and act as a clean and straightforward alternative mark. -
La Galerie Semaan-Invitation
See More Of La Galerie SemaanSee More Of La Galerie SemaanSlide1995Fortunate to own P.O. Box nº 1, La Galerie Semaan’s envelope design had to bring that to the forefront.Tagged: Stationery -
La Galerie Semaan-Stationery
See More Of La Galerie SemaanSee More Of La Galerie SemaanSome ink1995The letterpressed stationery composed for La Galerie Semaan abides by the idea of containment that the logo so strongly demonstrates throughout its applications. -
Lumen Hospitality Consultants-Coasters and stationery
See More Of Lumen Hospitality ConsultantsSee More Of Lumen Hospitality ConsultantsWork and play2013As a little reference to the hospitality industry, a coaster set was designed as a giveaway, alleviating some of the seriousness of the corporate image. These hardworking guys do have a drink every once in a while. They are in the hospitality industry after all. -
Mitsulift-Branded items previous id
See More Of MitsuliftSee More Of MitsuliftPicto-centered1999 - 2009Patterned, animated, or simply arranged on a line, the Mitsulift pictograms are pretty much what the initial identity is all about.Tagged: Bag, Business card, Disc, Folder, Giveaway, Icon/Pictogram, Leaflet/Pamphlet/Flyer, Newsletter, Notepad, Stationery -
Mitsulift-Header and footer
See More Of MitsuliftSee More Of MitsuliftOrganized identification1999 - 2009The main scheme of dark blue – an age-old favorite with corporations – enables Misubishi’s three red diamonds to jump out on corporate applications such as forms and letterheads. Originally only three icons were included alongside the Lebanon-specific company name and the rest of the information. Later, this compositional structure brought in all six product-specific pictograms, as well as affiliation and accreditation marks, and the tagline we recently developed sitting neatly under the international company name. -
Saramed-Stationery
See More Of SaramedSee More Of SaramedSterile yet potent2014Clearly, the health and pharma visual code of whites and cool colors is not something to be recklessly messed with, but a particular shade of blue-green and a striking circular pattern derived from the letter framing provides this identity scheme with its differentiating attributes. -
MTG-Sursock museum-stationery details
See More Of Sursock MuseumSee More Of Sursock MuseumRose without the prick10-2014 – 04-2015Fixed on the margin line, the Sursock floral emblem can appear on its own as an identity token, and is the basic module for the pattern construction. -
MTG-Sursock museum-stationery
See More Of Sursock MuseumSee More Of Sursock MuseumWorking margins05-2015The margins, alternating between left and right on the Sursock Museum stationery, indicate the alternation between Arabic and Latin scripts that flow in opposite directions. -
The Key -MTG Key card sleeve
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The Key -MTG stationnery
See More Of The Key ApartHotelSee More Of The Key ApartHotelE2016The combination of a serene teal and a sans serif font evokes a sense of ease and comfort while still retaining a corporate image.