For the opening of Café Younes in Aley, a clever simulation of the wall graphics in the small outlet by our production officer was so popular, it became the event’s main visual for both the poster and invitation card.

Three messages formed the set of posters for the Elections on Time campaign. Each is composed of two parts placed on both sides of the fractured cedar tree. The black corner alludes to obituaries and amplifies the gloom. From right to left: “The parliamentary elections have not been postponed since the civil war”, “Delaying the problem delays the solution”, and “Do not hold our voice back when you cannot unite yours”.

In Venice, the event poster could be seen in the entrance of the exhibition venue as well as the streets of the city.

On-site posters communicate on exhibitions and their respective spaces in the Museum.

Whether permanent or temporary, each of Sursock Museum’s exhibitions acquires its own particular identifying features while remaining true to the general communication scheme.

The teaser posters for the campaign read between electorial portraits and missing person announcements.

The message of the revealer poster begins by laying down the numbers: less than 4% participation by women in politics, and ends with “you have what it takes (you are missing nothing) to partake in decision-making”.

The exhibition poster with its play on scale is best experienced to size and in context.

On-site in the Museum lobby, the main exhibition in Sursock’s Special Exhibitions Hall gets a double-poster across which the main visual is spread.