“Bringing together over 240 rarely seen works from private collections – including paintings, photographs, and etchings – Regards sur Beyrouth: 160 ans d’images traces the city’s historical evolution from a provincial Ottoman town to the capital of a nation state...” The scope and breadth of this show in Sursock’s Special Exhibitions Hall is evident even from this simple description. The design work in this case was fledged fully into a complex spatial orchestration and a detailed delivery of information. After all, it was Sursock’s primary major exhibition marking the 2015 reopening of the Museum. As the main tone of the identity, a shade of blue seemed the most appropriate for this city by the sea.
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MTG-Regards sur Beyrouth-Poster
“View of Beirut”, an engraving after Karl Girardet from the third quarter of the nineteenth century, was chosen as the main visual for the Regards sur Beyrouth exhibition.
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MTG-Regards sur Beyrouth-Poster lobby
On-site in the Museum lobby, the main exhibition in Sursock’s Special Exhibitions Hall gets a double-poster across which the main visual is spread.
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MTG-Regards sur Beyrouth-Installation
Installing Regards sur Beyrouth’s exhibition material in Sursock’s Special Exhibitions Hall.
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MTG-Regards sur Beyrouth-Mural 01
Sursock’s below ground Special Exhibitions Hall is the Museum’s grandest both in terms of space and the exhibitions it hosts. This particular up-down vantage point calls for an equally grand announcement.
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MTG-Regards sur Beyrouth-Mural 02
An 1850 quote on Beirut from Maxime du Camp, set for eye-level legibility, opens the exhibition.
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MTG-Regards sur Beyrouth-Banners 01
Most of the banners identifying the main sections of the exhibition are strategically placed under the skylights to be bathed in natural light. The banners use a selection of engravings from the show.
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MTG-Regards sur Beyrouth-Banners 02
For some of the exhibition sections, the banners are placed at the end of line of vision.
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MTG-Regards sur Beyrouth-Wall texts and captions
The exhibition wall texts are a straightforward grey on the wall, and the caption labels are set on an off-white paper that matches the exact shade of the paint.
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MTG-Regards sur Beyrouth-Subsections
The density of the Regards sur Beyrouth exhibition necessitates the sub-grouping of certain artifacts.
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MTG-Regards sur Beyrouth-Placement captions
For the table set-ups in the exhibition, artifacts are easily identified with the help of a simple placement diagram.
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MTG-Regards sur Beyrouth-Captions booklet
The densely loaded Regards sur Beyrouth exhibition is supplemented with booklets with a listing of works and extended captions per section. For each, the French and Arabic covers complete the image, the same one used on the corresponding section banner.