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Palestine c/o Venice-Poster
Benvenuto2009In Venice, the event poster could be seen in the entrance of the exhibition venue as well as the streets of the city. -
Palestine c/o Venice-Website
Palestine online2009 -
MTG-Sursock museum-phone and tag
Easy access11-2015Remotely or in person, it is the communication version of the Sursock logo that primarily interfaces with the public. -
MTG-Sursock museum-Website 01
Sursock online11-2015The subdued website language – with a restricted use of red for primary highlights – allows the diverse and rich Museum visual content to do its thing. -
MTG-Sursock museum-Website 02
Sursock online11-2015The subdued website language – with a restricted use of red for primary highlights – allows the diverse and rich Museum visual content to do its thing. -
MTG-Sursock museum-Collection display poster
On the poster10-2015“Hommage au tapis volant”, a 1965 painting by Aref el Rayess, was chosen as the main visual for the Collection Display exhibition. -
MTG-Sursock museum-Elevator posters
The whats and the wheres10-2015On-site posters communicate on exhibitions and their respective spaces in the Museum. -
MTG-Sursock museum-Exhibitions visuals
One for all10-2015For the communication material, the Sursock signature is an adaptable version that can take on an array of visual scenarios. -
MTG-Sursock museum-Guides covers
Visiting essentials10-2015The first Museum visitor and program guides use for their covers “Mount Tamalpais”, 1985 by Etel Adnan and “Untiled”, 1999 by Hussein Madi respectively. -
MTG-Sursock museum-Lobby posters
On show10-2015The exhibitions, both on show and upcoming, as well as the public program, are announced on both sides of the Museum lobby. -
MTG-Sursock museum-Program guide
The cut10-2015The Museum program guide’s two covers – a side for English and the other for Arabic – have an overlay revealing only part of the cover art work which extends across both. -
MTG-Sursock museum-Visitor guide
The fold10-2015The Museum visitor guide includes a central fold containing the Museum plan on the inside, and on the outside the cover art work continues across the Arabic and English double cover, partly hidden by the guide pages themselves. -
Sursock Museum-Exhibition posters
Shifting identities2015Whether permanent or temporary, each of Sursock Museum’s exhibitions acquires its own particular identifying features while remaining true to the general communication scheme. -
Sursock Museum-Program and visitor guides
Handheld2015Sursock’s visitor and program guides are the essential printables for planning the visit and carrying it through. -
MTG-Sursock museum-Reopening invite
Foursome09-2015With four shows opening at once, the invitation card for the Museum reopening supplements the classical official message with a four-part detachable card. -
MTG-Sursock museum-Save the date ad
Peeking through05-2015In anticipation of the grand reopening of the Museum, a save-the-date message provides the proper tease. -
Time Lapse of the 32nd Salon d’Automne Entrance Wall Installation
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MTG-Salon d'Automne-Event poster
A polymorphous graph2016The axes switch and the proportions morph to adapt to each application’s format. -
MTG-Salon d'Automne-Facade banners
Making an entrance2016 -
MTG-Salon d'Automne-Labels
To each their own2016Each label contains a triangle that reflects the artwork’s medium and the artist’s age and gender. -
MTG-Salon d'Automne-Line graph breakdown
All the applicants2016A line graph maps the 350+ submitted works in relation to media, gender and age (from 21 to 82 years old). This visual lays the foundation for the rest of the exhibition’s graphic applications. -
MTG-Salon d'Automne-Mural 01
The big reveal2016The line graph mapping the exhibited works takes on a physical manifestation in a string installation at the exhibiton entrance that welcomes the visitors. -
MTG-Salon d'Automne-Mural 02
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MTG-Salon d'Automne-Mural 03
Media and gender2016 -
MTG-Salon d'Automne-Voting poster and station
Audience choice award2016Bottom Right Image by Nabû Productions -
MTG-Picturing Identity-Poster
On the poster10-2015After many tests, and to express the generally smaller size of artifacts in the exhibition, this albumen mounted print from the 1890s by Georges Saboungi is handheld for the shot. The green shade is borrowed from the object to act as the exhibition’s primary color. -
MTG-Picturing Identity-Poster in context
Picture in picture10-2015The exhibition poster with its play on scale is best experienced to size and in context. -
MTG-Regards sur Beyrouth-Poster
On the poster10-2015“View of Beirut”, an engraving after Karl Girardet from the third quarter of the nineteenth century, was chosen as the main visual for the Regards sur Beyrouth exhibition. -
MTG-Regards sur Beyrouth-Poster lobby
Extending landscape10-2015On-site in the Museum lobby, the main exhibition in Sursock’s Special Exhibitions Hall gets a double-poster across which the main visual is spread. -
MTG-The City in the city-Poster
On the poster10-2015“The Selective Residence”, 2013, by Randa Mirza, was chosen as the main visual for the exhibition. Typographically, the poster uses a fittingly contemporary Arabic-Latin type duo designed by Pascal Zoghbi and published by the type foundry 29LT.
